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Chapter 119: What Makes a Performance Truly Great?
"Maybe... it's better if we don't. I'm not ready."
"Not ready?" Lin Tian frowned. "Didn’t you say you’ve already learned the piece?"
"It doesn’t sound good," she murmured softly.
"That’s why we need to rehearse together—to figure out where it falls short."
"I can’t do it."
"Why not?" Lin Tian pressed, confused.
Gan Yanyu lowered her head, her hair falling over her cheeks as she avoided his gaze.
"I… I don’t want you to see how bad I’ve become."
Lin Tian fell silent.
Gan Yanyu was terrified. If they played together now and Lin Tian realized just how far her skills had slipped, he’d surely be disappointed. She couldn’t bear the thought of seeing that look on his face—the one filled with pity and forced reassurance.
And then there was the fact that separating their training had been Lin Tian’s decision—a deliberate choice to push them both toward independence. If she failed now, wouldn’t that prove him wrong? Wouldn’t it mean she simply couldn’t stand on her own?
He would blame himself for everything. But in truth, the fault lay squarely with her.
"Let’s give it a try," Lin Tian said gently, extending a hand with an encouraging smile. "We won’t know unless we test it."
---
In the cafe, Gan Yanyu took a deep breath, raised her bow, and prepared herself.
3… 2… 1—
Lin Tian began the piano accompaniment first. The soft strains of the melody filled the air, followed by Gan Yanyu’s cello joining in. Slowly but surely, the rich, melancholic tones of Cello Concerto in E Minor echoed through the space.
As its name suggested, this was a piece tailored specifically for the cello. While the piano provided subtle support, the cello carried the weight of the composition—its somber, introspective nature demanding incredible emotional resonance from the performer. For Gan Yanyu, something always felt slightly off, leaving her perpetually dissatisfied.
But Lin Tian’s addition of the piano part wasn’t merely functional—it helped frame the emotions of the piece more clearly, guiding them both into the heart of the music.
So what exactly did Cello Concerto in E Minor express?
Elgar, the patriotic composer behind it, had lived through World War I—a trauma that left him irreparably scarred. After witnessing the horrors of war, he vowed never again to compose music celebrating peace or prosperity. To him, such elegant tunes seemed meaningless in the face of suffering and conflict.
This final large-scale orchestral work of Elgar’s life served as both a requiem for his wife and a swan song for himself—a reflection on mortality and loss. Its emotional complexity required performers to balance rationality and sensibility, making it notoriously difficult to execute.
Many people associated Elgar with grandeur, much like Beethoven with fate. But Cello Concerto in E Minor revealed a more vulnerable, human side of the composer—one raw with emotion and philosophical depth.
---
As the performance continued, Gan Yanyu gradually sank deeper into the music. Her cello grew heavier, darker, dragging listeners into a quagmire of sorrow. It was familiar territory for Lin Tian too; the sense of unity between them slowly returned, just as it always did when Gan Yanyu found her rhythm.
However, this time, Lin Tian wasn’t content to remain in the background. He wanted to understand—to immerse himself in the piece as Gan Yanyu did.
With renewed determination, he quickened his pace on the keys, sweat dripping down his temples. Yet no matter how hard he tried, he couldn’t keep up with her. How could someone so unfamiliar with Elgar’s story grasp the essence of the music so effortlessly?
It was uncanny. Without knowing the historical context or personal tragedies embedded in the notes, Gan Yanyu still managed to channel every ounce of emotion contained within. Once she started playing, the music came alive in her mind, allowing her to deliver a flawless, immersive performance.
---
A realization slowly dawned on Lin Tian.
Perhaps Gao Zhenyang was wrong. Perhaps trying to emulate Gan Yanyu’s approach wasn’t the answer. Everyone had their strengths—and his clearly didn’t lie in replicating her style. He might not yet know what method suited him best, but one thing was certain: when he focused solely on supporting Gan Yanyu, magic happened.
By letting go of distractions and centering his attention entirely on her, Lin Tian rediscovered that unparalleled synergy they shared.
The first movement ended, and Gan Yanyu lowered her bow, staring at her hands in disbelief.
"There… there weren’t any mistakes."
"Told you," Lin Tian replied, though exhaustion lined his features.
Indeed, whenever they played together, both surpassed their usual limits. Even Lin Tian noticed how effortlessly smooth his accompaniment became once he embraced his role as a supporting player rather than striving to match Gan Yanyu’s depth. It was frustrating but undeniable.
"But when I practice alone, I feel so lost," Gan Yanyu admitted, her voice tinged with frustration. "How is it that I can only perform well with you? Doesn’t that mean I’m still dependent on you?"
"It’s not about dependency," Lin Tian countered gently. "Miss Gan, your issue has never been technical skill. It’s confidence. When I’m beside you, you feel secure, right?"
She paused, considering his words. That was true. Just knowing Lin Tian was nearby gave her courage, as though nothing could go wrong.
"Miss Gan, believe me—this piece was written for you. In my eyes, no one else suits it better."
With newfound resolve, Lin Tian stood up. "Let’s run through it again. This time, let’s record it properly."
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