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The grand hall was silent, save for the resonant sound of a cello being played with precision and grace. On stage, a man sat with his instrument, exuding the calm demeanor of an elegant scholar. His music filled the room, each note weaving through the air like silk threads spun into a delicate tapestry.
In the greenroom, contestants gathered around the large screen to watch him perform. They listened intently, their faces reflecting admiration—or perhaps envy. Among them stood Lin Tian, lost in thought as he processed what he was hearing.
Chamber music, by its very nature, is intimate—typically performed by ensembles ranging from two to nine musicians. In this case, Mao Junfeng wasn’t alone on stage; three violinists accompanied him, adding layers to the performance. But it wasn’t just the number of instruments that impressed Lin Tian—it was how brilliantly Mao controlled balance and transparency. Each note rang out clearly, every layer distinct yet harmonious. It was chamber music elevated to artistry: multiple strings blending seamlessly while still allowing each voice its moment in the spotlight.
Mao’s approach felt more like conducting a conversation than performing a solo act. His mastery over the interplay between instruments created something deeply personal—an experience both immersive and emotionally charged.
And then there was the structure. From simple binary forms to complex sonata structures, Mao demonstrated a profound understanding of musical architecture. For Lin Tian, this was key: Mao’s ability to navigate such intricate compositions set him apart.
But here’s where things got interesting. According to the rules of the Parrot Cello Contest, there was no limit to how many accompanists a contestant could have. However, bringing three additional musicians onto the stage—effectively turning the performance into something resembling a battle royale—was risky business. A soloist needed charisma and technical prowess to ensure they didn’t get overshadowed by their own backup band. Yet Mao pulled it off flawlessly. He managed to craft an authentic chamber music experience, keeping the audience engaged while ensuring the cello remained the star of the show.
This balancing act earned him extra points from the judges and secured his place as one of the dark horses advancing to the top eight. Novelty might have carried him through the preliminaries, but now, against stronger opponents, innovation alone wouldn’t cut it. Still, Mao had proven himself capable—not just of surviving but thriving under pressure.
As the final notes faded, applause erupted throughout the venue. Spectators exchanged nods and murmurs, their expressions glowing with satisfaction. There was no denying it: multi-instrument performances simply sounded richer, fuller, and far more captivating than solos or duets ever could.
But while the crowd basked in the afterglow of Mao’s performance, the judges leaned forward, brows furrowed, debating animatedly among themselves. Finally, after much deliberation, scores were tallied, and the next performer was announced.
---
Back in the greenroom, all eyes turned toward the corner where Yun Qiuqiu sat slumped, her head bowed low enough for her bangs to obscure half her face. One staff member approached cautiously, unsure if the young girl had fallen asleep mid-wait.
"Miss Yun?" she called softly, bending down slightly. "It’s your turn."
Silence.
"Miss Yun? Miss Yun?"
Suddenly, Yun jerked upright, wide-eyed, startling not only the staffer but everyone else watching. She blinked rapidly, rubbed her eyes, and stifled a yawn before replying in a sleepy monotone, "Oh... okay."
Her lethargic demeanor drew chuckles from some of the other competitors, particularly Mao Junfeng, who crossed his arms and muttered, "What exactly does she think this competition is—a nap session?"
At thirty-three, Mao was the oldest participant in the semifinals, making his paternal tone somewhat justified. But even he couldn’t deny that anyone who’d made it this far wasn’t to be underestimated. And yet… Yun’s behavior seemed almost otherworldly. Was she really about to walk onto the stage looking like she’d just rolled out of bed?
"Are you feeling alright, Miss Yun?" asked the concerned staffer as she helped the drowsy teenager stand up.
"I’m fine," Yun replied absentmindedly, offering a faint smile. Then, almost as an afterthought, she added, "I stayed up late last night watching anime."
You could’ve heard a pin drop.
Anime?
Not only did the staffer freeze in disbelief, but whispers rippled through the greenroom. Had they misheard? Was this some kind of joke? Or worse—was Yun deliberately trying to throw everyone off guard?
"She can’t be serious," Mao muttered, shaking his head. "She actually stayed up watching cartoons the night before the semifinals?!"
Lin Tian and Gan Yanyu exchanged bewildered glances. This level of nonchalance bordered on absurdity. How had someone so seemingly indifferent advanced this far?
---
When Yun finally stepped onto the stage, the atmosphere shifted. Judges flipped through her profile, comparing the image of a neatly dressed intern from her registration photo to the disheveled figure before them. Her thick bangs shadowed tired eyes, and her school uniform—a JK-style skirt—felt jarringly casual compared to the formal attire expected at such events.
"This isn’t respectful," grumbled one elderly judge, already deducting points based solely on appearances.
Another judge, He Shumo, adjusted his glasses and remarked dryly, "She’s always been like this. Easy to overlook during the preliminaries because she didn’t seem to give her full effort."
"And you remember that?" the older judge asked skeptically.
"I never forget the name of any female competitor," He Shumo replied matter-of-factly.
As Yun positioned herself center stage, silence enveloped the auditorium. Lin Tian noticed Nanali sitting quietly nearby, uncharacteristically subdued. Normally sharp-tongued, she now wore an expression of quiet reverence.
Then, without warning, Yun began to play.
The opening chords exploded like waves crashing against jagged cliffs. Heads snapped up, jaws dropped. Yun’s bow moved furiously across the strings, her body swaying rhythmically, hair whipping back and forth. The energy emanating from her performance ignited the air itself.
Lin Tian stared in disbelief. "Wait… isn’t she supposed to be half-asleep?!"
There was no buildup, no gradual crescendo—just raw power straight out of the gate. If Lin had anticipated a stark contrast between Yun’s laid-back demeanor and her playing style, he hadn’t expected this. Her rendition of "Eurythmic Dance" was anything but restrained. Where the original piece carried a sense of dignity, Yun injected wild abandon and fiery passion. Listening to it felt like stepping into the soundtrack of a high-octane shonen anime.
"This music is practically begging to be turned into a Bilibili edit," Lin mused, his mind racing with ideas for video titles. "(⚡) Warning (⚡) Don’t Blink! Brace Yourself for a Ceiling-Level Cello Performance That Will Blow Your Mind..."
He imagined the views pouring in—two million minimum.
Meanwhile, the judges watched, mesmerized. Even seasoned professors found themselves entranced by Yun’s emotional intensity.
"There’s incredible narrative tension in her playing," He Shumo observed. "She must be visualizing scenes in her mind. What could those images be?"
"It’s the Holy Grail War," Yao Han quipped, holding up his phone to show screenshots from popular anime.
"The Holy Grail War?" another judge echoed, baffled. "That sounds epic—but when did that happen?"
"Just look at the screen!" Yao exclaimed impatiently. "This cellist moonlights as a video creator!"
Back in the greenroom, Mao revealed Yun’s online persona: "Qiuqiu-chan ovo," a content creator with 230,000 followers. Scroll after scroll of uploads showcased her renditions of anime theme songs—all recorded using her cello. Some days, she posted three videos; others, five. Every upload radiated pure passion.
No wonder Nanali looked shaken when Yun returned to the greenroom. Standing frozen in place, she alternated glances between the screen and Yun herself.
For Lin Tian, the situation was equal parts amusing and pitiable. Poor Nanali. She’d spent weeks psyching herself up to face Gan Yanyu, only to realize she might not even make it past Yun Qiuqiu—an otaku whose love for anime fueled her unmatched creativity.
"Christine Nanali," the staff member called out, her voice slicing through the tense atmosphere of the greenroom.
The name hung in the air for a moment before landing squarely on its intended target. Nanali’s petite frame visibly trembled at the sound, as if the syllables themselves carried an unbearable weight. She muttered a quiet "Alright, alright," but her movements betrayed her composure—each step was mechanical, her limbs stiff like those of a marionette whose strings had been pulled too tight.
Meanwhile, Yun Qiuqiu had already retreated to her usual corner of the room, headphones firmly planted over her ears. Was she diving back into another anime episode? Or perhaps, Lin Tian thought wryly, she was gathering more emotional fuel for her next performance. Either way, it was hard not to admire her unapologetic dedication to her craft. If they weren’t competitors, Lin Tian might have even considered befriending her. Her unconventional approach to music could spark some intriguing ideas for his own work.
But now, all eyes—and thoughts—were on Nanali.
Onstage, the judges flipped through their files, reviewing Christine Nanali’s profile. He Shumo adjusted his glasses and glanced up just in time to see the golden-haired girl take her place under the spotlight. His brow arched slightly, curiosity piqued.
"What a lovely dress," he remarked aloud.
Indeed, Nanali stood out—not because she adhered to tradition, but because she defied it entirely. Instead of the expected formal gown, she wore a voluminous pink Lolita dress adorned with intricate lacework and delicate embellishments. The ensemble gave her an almost doll-like appearance, further accentuated by her mixed-race features: soft, wide eyes framed by long lashes, porcelain skin dusted with blush, and lips painted a subtle rose hue. Even the older professors couldn’t help but feel a flicker of delight at the sight. It was impossible to deny that Nanali possessed a certain charm—one that transcended mere aesthetics.
"The piece she’ll be performing is ‘Nanali-Abeza No. 1 Grand Overture,’" Yao Han announced, reading from the program notes. "A work by Greta Cliden Nanali, one of Britain’s most celebrated composers of the 19th century."
He paused mid-sentence, his expression shifting from casual disinterest to sudden alarm. Raising his gaze toward the stage, he squinted, then blinked rapidly, as though trying to reconcile what he’d just read with what he saw before him.
"Wait a second..." Yao murmured, his tone sharp with disbelief.
Leaning closer to the stage monitor, he pointed emphatically at the screen displaying Nanali’s information. "That ‘Nanali’—which ‘Nanali’ are we talking about here??"
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